| Official Name | Barış Manço Evi / Barış Manço House Museum |
|---|---|
| Museum Type | Biographical house museum |
| Operator | Kadıköy Municipality |
| Opened to the Public | June 9, 2010 |
| Address | Caferağa Mahallesi, Yusuf Kamil Paşa Sokak No:5, 34710 Kadıköy, Istanbul, Türkiye |
| Opening Hours | Tuesday–Sunday, 09:00–16:00; closed Mondays, public holidays and religious holidays |
| Last Ticket and Entry | 15:30 |
| Admission | Full ticket: 82 TL; student ticket: 49 TL |
| Ticketing | Tickets are sold online through Mobilet only; there is no box-office ticket sale |
| Museum Pass | Not accepted |
| Official Website | Kadıköy Municipality Barış Manço House |
| Online Tickets | Mobilet |
Barış Manço House Museum occupies the former home of Barış Manço in Istanbul’s Moda neighborhood. Manço bought the mansion in 1984, restored it and lived there with his family until 1999. The house later became a museum devoted to his music, television work, visual art, collecting interests and personal life, opening to the public on June 9, 2010.
Kadıköy Municipality developed the museum with the involvement of Manço’s wife, Lale Manço, and their sons Doğukan Hazar and Batıkan Zorbey, with support from Türkiye Halk Bankası. This connection with the family allowed the house to retain personal possessions and domestic spaces rather than being arranged simply as an exhibition hall.
The Moda House Before It Became a Museum
The building was historically known as the Whittall Mansion. According to the museum’s account of the property, it was built between 1895 and 1900 on land associated with the Whittall family. The mansion has Victorian architectural features, including decorative stonework around the façade and wrought-iron balconies.
Manço purchased the house in 1984 and had it restored while preserving its architectural character. The black iron entrance and parts of the original interior remain part of the museum experience. Messages written by fans on the marble beside the entrance on the night of Manço’s death have also been preserved.
The property matters to the collection because it was not merely one of Manço’s residences. It was a place where he lived, collected objects, painted and worked on music. Many displays therefore remain connected to the rooms in which the objects were originally used.
The Main Salon and Barış Manço’s Piano
One of the museum’s best-known displays is in the main salon. A silicone figure of Barış Manço sits beside his Steinway B210 grand piano, an instrument that he acquired in Austria and used for composing. Kadıköy Municipality commissioned sculptor Murat Daşkın to create the figure in 2014.
The salon also contains objects that reveal Manço’s interests beyond music. His collection included decorative glassware, paintings, furniture and antiques gathered from different places. Awards from his artistic career are displayed in the room alongside selected paintings and pieces from his personal collection.
Personal Objects, Costumes and Travel Material
The museum preserves everyday belongings alongside stage-related material. Visitors can see examples of the rings and belts associated with Manço’s appearance, as well as clothing worn by Barış and Lale Manço. A separate costume area contains outfits connected with his public image and his military uniform.
Other displays document Manço’s extensive travel. They include passports, boarding passes, photographs from countries he visited and personal identification documents. Parts of his camera collection are exhibited as well. Handwritten material, glasses and other small personal items provide a different record of his life from the albums and television programs for which he is best known.
The Knight Room
The lower part of the house contains the Şövalye Odası, or Knight Room. Its vaulted ceiling and stone walls were exposed after plaster was removed from a space that had previously been used for storage. Manço decorated the room with stained glass and objects inspired partly by the coat of arms connected with the knighthood he received from Belgium.
The room was also a working space. The museum states that Manço produced both compositions and paintings there. His art materials are among the objects displayed in the room, linking his visual work directly to the place where he created it.
Barış Manço as a Painter and Collector
Although the house is closely associated with Manço’s music, several rooms document his work in drawing and graphic art. Material from his studies at the Royal Academy of Fine Arts in Belgium is displayed in the former room of his son Doğukan, including paintings, graphic works and his graduation document.
His collecting habits are visible throughout the house rather than being confined to one gallery. Antique furniture, paintings, glass objects, decorative pieces and unusual household furnishings remain part of the presentation. The guest bedroom, for example, contains antique furniture acquired by Barış and Lale Manço after their marriage, while the dining room preserves period furniture and decorative objects from the family’s collection.
The 7’den 77’ye and Adam Olacak Çocuk Displays
Manço’s television career appears most clearly on the upper floor. His program 7’den 77’ye began broadcasting on TRT in 1988 and became closely associated with his work for children and families.
Batıkan Manço’s former room has been arranged around Adam Olacak Çocuk, the children’s segment of the program. A camera used during production is displayed there, and recordings of the program form part of the presentation. The surrounding children’s rooms retain toys and objects collected from different countries, connecting the television material with the family’s domestic life.
Musical Objects Beyond the Main Salon
The winter garden, known by the family as the Limonluk, contains instruments associated with members of Kurtalan Ekspres, the band closely linked with Manço’s career. Another object in this section is an American harmonium dating from 1905, operated by foot pedals that supply air to the instrument.
Musical references also appear in the museum design. Notes associated with Manço’s songs decorate parts of the walls, while the staircase was designed to recall piano keys. In the garden, sculptures based on songs including Domates, Biber, Patlıcan and Arkadaşım Eşek extend those references outside the rooms.
Planning a Visit
The museum is in Moda, Kadıköy, on Istanbul’s Asian side. Its official visitor information currently lists opening hours of 09:00–16:00 from Tuesday through Sunday. It is closed on Mondays, public holidays and religious holidays. The last ticket sale and last ticketed entry are at 15:30.
Tickets must be purchased online through Mobilet. The museum does not sell tickets at the entrance, and Türkiye’s MüzeKart is not valid here. The currently listed admission prices are 82 TL for a full ticket and 49 TL for students. School groups must contact the museum in advance and make a reservation.
Because ticketing rules, prices and opening arrangements can change, checking the official Barış Manço House website before traveling is the most reliable way to confirm the current visitor information.