| Official Name | Museum of International Folk Art |
|---|---|
| Location | 706 Camino Lejo, Museum Hill, Santa Fe, New Mexico 87505, USA |
| Founded | 1953 |
| Founder | Florence Dibell Bartlett |
| Collection | More than 160,000 objects from more than 100 countries |
| Administration | New Mexico Department of Cultural Affairs |
| Phone | +1 505-476-1204 |
| Official Website | internationalfolkart.org |
The Museum of International Folk Art is a state museum on Museum Hill in Santa Fe, New Mexico, devoted to folk art and artistic traditions from communities around the globe. Founded in 1953 by Florence Dibell Bartlett, it now holds more than 160,000 objects from more than 100 countries, with collections ranging from textiles and dress to ceramics, toys, religious and ceremonial objects, furniture, jewelry, paintings, carvings, and works made from everyday materials.
Florence Dibell Bartlett and the Museum’s Founding
Florence Dibell Bartlett developed the museum from her own interest in folk traditions and handmade objects encountered during extensive travel. Her founding collection included clothing, jewelry, textiles, ceramics, furniture, and other forms of folk art. She began placing material intended for the museum in Santa Fe during the late 1940s, before the institution opened to the public in 1953.
Bartlett intended the museum to present objects not simply as decorative pieces, but as expressions of the communities that made and used them. That approach remains visible in the museum’s treatment of traditional arts, cultural identity, craftsmanship, daily life, celebration, belief, and changing artistic practices.
A Collection of More Than 160,000 Objects
The museum describes its holdings as the largest collection of international folk art in the world. Its more than 160,000 objects represent over 100 countries, although only a portion can be displayed in the galleries at any one time.
The collection is broad in both geography and material. Textiles are especially well represented, alongside clothing and adornment, household objects, religious works, masks, ceramics, furniture, painted and carved objects, toys, paper art, and tools connected with traditional production. The museum also maintains an online collection database that provides access to selected object records beyond what is currently on display.
The Bartlett Collection
Florence Dibell Bartlett’s collection formed the nucleus of the museum. The museum records approximately 2,500 objects in this founding body of material, with particular strengths that include European and Scandinavian folk art as well as works from other regions Bartlett visited and collected.
The Girard Collection
One of the museum’s defining additions came from designer Alexander Girard and Susan Girard. Their collection grew to more than 106,000 objects gathered from many parts of the globe. In 1978, the Girards gave the collection to the Museum of International Folk Art, greatly expanding its holdings.
The gift led to the construction of a new museum wing that opened in 1982. Alexander Girard designed the permanent installation Multiple Visions: A Common Bond, using thousands of objects from the collection in densely arranged cases and miniature settings. The presentation includes traditional art, popular art, toys, devotional objects, textiles, figurines, paper materials, and many other forms that Girard collected.
Only a fraction of the Girard holdings appears in the permanent installation. The size of the collection means that the museum’s storage and research holdings extend far beyond what visitors encounter in the galleries.
The Lloyd Cotsen and Neutrogena Collection
Lloyd E. Cotsen, a collector and former president and CEO of Neutrogena Corporation, assembled thousands of objects from different regions. More than 3,000 pieces from his collection were given to the museum in 1994. The holdings include a strong group of textiles, with material from Asia, Africa, Latin America, Europe, and North America.
Objects associated with this collection range from woven and embroidered textiles to clothing and ceremonial pieces. Examples documented in the museum database include historic Asian garments, African textiles, Andean woven material, and objects from Indigenous communities in North America.
Multiple Visions: A Common Bond
Multiple Visions: A Common Bond is closely associated with the identity of the Museum of International Folk Art. Alexander Girard designed the exhibition using material from the vast collection he assembled with Susan Girard. Rather than organizing every object as an isolated specimen, the installation groups works into visually dense arrangements that reflect Girard’s own exhibition design.
The objects cover many forms of creative expression, including figures, shrines, masks, textiles, ceramics, toys, religious objects, miniatures, paper works, and popular art. Works by identified makers appear beside pieces whose artists were never recorded, a common circumstance in historic folk-art collections.
Textiles, Dress, and Cultural Traditions
Textiles form an extensive part of the museum’s holdings. The collection contains garments, accessories, woven cloth, embroidery, ceremonial textiles, household fabrics, and the tools associated with textile production. Records in the collection database identify material from regions across Asia, Africa, Europe, Latin America, and North America.
These works document both practical and ceremonial uses of cloth. Materials, weaving methods, embroidery, patterns, forms of dress, and methods of adornment can reflect local techniques as well as changes caused by trade, migration, available materials, and contact between communities.
Folk Art of New Mexico
Although the museum has an international scope, its collections also contain folk art associated with New Mexico and the wider region. Holdings include furniture, textiles, devotional works, pottery, tinwork, carved objects, and other forms connected with artistic traditions in the Southwest.
The New Mexico material sits within a museum whose collections allow similar types of objects to be considered across different places and communities. A textile, ceramic vessel, devotional object, toy, or piece of furniture can therefore be understood both through its local history and as one example within a much larger range of handmade traditions.
Museum Hill Location
The museum is located at 706 Camino Lejo in Santa Fe, in the Museum Hill area of the city. It is part of the New Mexico Department of Cultural Affairs and operates within the state’s museum system.
The museum’s official admissions information lists seasonal operating schedules. From May through October, it operates daily from 10:00 a.m. to 5:00 p.m. During November through April, it is closed on Mondays and operates Tuesday through Sunday. The state also lists closures on Thanksgiving Day, December 25, and January 1. Because operating schedules can change for holidays or special circumstances, current hours should be checked on the official museum website before a visit.
The Museum of International Folk Art also maintains a searchable online collection. It represents only part of the museum’s holdings, but it allows individual objects, named collections, makers, materials, geographic areas, and past exhibitions to be explored beyond the physical galleries.
